Susan Sarandon and Geena Davis in ‘Thelma & Louise’ (Everett)By Stephen Galloway,
The Hollywood ReporterIt’s been 25 years since
Thelma & Louise,
the landmark feminist film directed by Ridley Scott and starring Geena
Davis and Susan Sarandon as two friends who go on the run.But
Davis says the film might have been very different if she had been
given the role she first wanted: That of Louise, the waitress who pulls
out a gun and kills a would-be rapist.“I’d
been following this [project] for a year,” she recalled, before her
agents contacted Scott to ask for ameeting. “He said, ‘Yes, sure, you
could come in.’ And I’d met with my acting coach. And we had decided
that I should play Louise. And I wanted this so bad, and I’m just
pitching my heart out, and I brought all my notes and everything about
why I absolutely have to be Louise. And he finally says, 'So, in other
words, you wouldn’t play Thelma?’ And there was only a very slight
pause, actually, before I said: 'You know what’s so weird is, I’ve been
listening to myself as I’m talking and I’m not convinced anymore.
Actually, I think I should play Thelma.’”
Related: George Miller on 'Mad Max’ Sequels, His Secret Talks With Stanley KubrickDavis
was signed to play one or the other of the leads, with the final
decision dependent on who would play opposite her. When Scott chose
Sarandon as Louise, she accepted the role of Thelma.“The
first time I meet [Sarandon], it was just Ridley and she and I,” Davis
noted. “We were going to get together and go through the script. And
pretty much the second I met her, I was like: 'What was I thinking? How
could I possibly play Louise? She’s just fabulous.’ We hung out all the
time together during the shooting. Because it was mostly just us. And a
lot of times you can’t go all the way back to your trailer, because
you’re out in the middle of the desert or something. So we’re just
hanging around in the car, talking. We spent a lot of time together.”Davis
spoke Feb. 10 at Loyola Marymount University’s School of Film & TV,
where she took part in THR’s ongoing interview series,
The Hollywood Masters.The
founder of the Geena Davis Institute on Gender in Media, she lamented
how little progress Hollywood has made in finding roles for women.When
she speaks to studio and network executives, she said, “[They’re]
stunned. They [had] no idea they were leaving out that many female
characters, that the world is bereft of female presence. If I was going
in, saying, 'You’re making less movies with a female star,’ they’d say,
‘We know that very well, and you know, we’re worried about doing
anything different, because women will watch movies about men, but men
don’t want to watch movies about women.’ Whatever. So I don’t say that
at all. I just say, 'Whatever you are already making, you’re leaving out
half of the population.’”Asked
her thoughts on the recent controversy about the motion picture Academy
and its lack of diversity, particularly as it relates to women, she
said: “It’s great that more and more people are talking about it.
Because it’s something that people just go along with. My whole theory
about why I couldn’t find any creators who realized they were leaving
out female characters is because they were raised on the same ratio. I
just heard someone the other day call it either 'smurfing’ a movie,
which is when there’s one female character, or 'minioning’ a movie,
which is when there’s no female characters. Because there aren’t any
female minions. The ratio of male to female characters in movies has
been exactly the same since 1946. So if you’ve ever had people say, you
know, 'It’s better now, it’s all changed, it’s all different,’ it’s not,
it hasn’t. Not yet.”
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